Grateful Dead Open Source Business Model One of the Most Successful

Grateful Dead

Yes, I am a fan of the Grateful Dead. There was a period of time when they occupied an important part of my life when I was traveling to see many shows with friends and immersed in the Dead community.  While I didn’t care much for some of the personal grooming habits, appearances, or recreational habits of some hard-cored Deadheads, I did love their sense of adventure, warm personalities, and iconoclastic lifestyles. The music united us all regardless of our backgrounds or appearances. The Dead somehow aggregated a large number of society’s misfits into a tight-knit community that allowed them to find a purpose in life. Ironically this anti-mainstream community came to grow to be so large that it ultimately became quite mainstream (much to the consternation of many) as the result of an incredibly successful and innovative business model.

Grateful Dead – The Fare Thee Well Tour

I headed up to Santa Clara on June 27 for the first of two shows the band performed there. My personal pictures are shared on my Facebook page. These shows were only added after the unbelievable demand for the original three Fare Thee Well shows set for Soldier Field in Chicago over July 4th made the band realize they had greatly underestimated how badly people wanted to see them for their 50th-anniversary farewell shows.

Deadheads were particularly miffed that the band would snub the Bay Area as part of saying goodbye. After all, that is where it all began for them and to go to Chicago, to the same venue where they played their last shows before Jerry Garcia died in 1995, and represented everything that was wrong with the band and the scene didn’t feel right. They were more popular than ever, not in good health, seemingly playing for the money, and huge numbers of people came to shows just to indulge, feel cool about themselves, and wreak havoc. By going back to Soldier Field the Dead hoped to rewrite history somewhat and return to their older, wiser, more healthy and committed to excellence.

Yet, as Thomas Wolfe famously wrote, you can never go home again. Actually, the Dead should have gone home again. Despite some years of absence in terms of the original surviving members reuniting to play together, the Dead ecosystem and enterprise was still alive and well and quite massive and the Dead tried to act as if it were the good old days of mail-order tickets and a smaller, but very loyal fan base.

Great leaders and businesses know when they make mistakes and have enough brand equity and a loyal customer base to overcome occasional big blunders provided they act boldly to correct them and communicate openly. Think of Coke with the disastrous replacement of such an iconic product with New Coke and Netflix opting to split the company into two with the adoption of Qwikster for its streaming service. The same can be said of the Dead. After realizing they blew it, they released a long letter to their fans. Here are some key excerpts:

Dear Heads,

Although none of us knew it when we walked off the stage at Soldier Field on July 9, 1995, the Grateful Dead’s long strange trip ended in Chicago that night. As you are aware, twenty years later, we’re returning to Chicago to properly say Fare Thee Well.

But every good ending must start with a beginning. For us, it all began fifty years ago when we grabbed a bunch of instruments off the walls of a music store in Palo Alto California and began banging away on them in the back room, at night after the store had closed for the day.

Since we made the decision to go back to Chicago to say our final goodbye, it has become clear to us that we first need to return to our beginnings, where we first said hello — to each other and to all of you.

And so it is that we have decided to plug in for two additional shows on June 27 and 28 at Levi’s Stadium in Santa Clara, California — just a dozen miles south of where Dana Morgan’s Music Store once stood. ….

Ours wasn’t just a long, strange trip — it was a VERY long, VERY strange trip. We weren’t sure what it was going to be like to put a punctuation mark on the end of it. None of us anticipated the overwhelming outpouring of love and interest following our initial announcement of the shows at Soldier Field, and we were blown away by the response.

We have tried to do the right thing wherever we could for the Chicago shows by honoring the roots of where we came from, while dealing with the realities of the current times. But that’s hardly comforting when you’re shit outta luck for tickets and your only option is inflated prices on secondary ticketing websites. That would piss us off too. …

We will not be adding any more Fare Thee Well shows. The three Chicago shows will still be our final stand. We decided to add these two Santa Clara shows to enable more of our fans to celebrate with us one more time. But this is it.

We love you guys more than words can tell, and hope to see you in the Bay Area or Chicago. If you can’t make it to the shows, we are working on ways for you to still experience our Fare Thee Well, from wherever you might be. Stay tuned for those details.

Gratefully yours,

Billy, Bobby, Mickey & Phil

The Dead was one of the first and most successful open source business models. They never felt their albums captured their true sound and musical depth. This could only come through their live performances. And yet, because they were very experimental and bold risk-takers, any particular show could fall flat or even spontaneously combust. Thus, it was important to see many shows because magic would inevitably transpire and they wanted all of their fans to know what that was like and have a hunger for more once it had been experienced. A true natural high for anyone that has experienced it. As it’s been said, there is nothing like a Grateful Dead show.

Early on the band began taping every show to allow them to go back and listen intently to see where they were successful and where they fell short. This constant self-analysis helped instill a culture of continuous improvement and always striving for excellence, even if it led to very frank and open dialog when band members thought others didn’t do their best. This approach is a hallmark of all great organizations.  No resting on one’s laurels and dealing with breakdowns at the source when they occur and doing so openly and honestly.

Over to You:

How do you think that history will remember the Grateful Dead? The open-source business model that was ahead of their time who brilliantly marketed their product to a rabid niche market? Or just a rock and roll band that was a fusion of bluegrass mixed with jazz-style improvisation to create their uniquely psychedelic sound? Whichever it is, they have carved out a unique place in history. 



One comment on “Grateful Dead Open Source Business Model One of the Most Successful
  1. bobby griffiths says:

    I have concluded after many years that i think Garcia is “the most important American” to live in my lifetime.

    He was shown spectacular lessons when his impossbly large mind found psychedelics, and then spent 30 years expounding those lessons from one of the largest pulpits man ever created.

    As we move into an era where psychedelics may finally be allowed out of the closet, it will surprise me nil if his accomplishments are finally recognized. He was a warrior for real truth.

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